Work on the $66 million redevelopment commenced in June 2018 to transform the iconic South Australian theatre into a world-class, larger and more accessible venue with state-of-the-art facilities ready to house more blockbuster productions. The children who sit on the stage here to enjoy this performance will witness the beginning of a great future and will always be part of the history of The Maj. Adelaide Festival Centre is continuing to work with SA Health to make sure this performance will fit within current safety guidelines and we can safely increase audience numbers as restrictions are eased. 2220 reviews View all dates. It makes sense to check them all to make sure the opinions expressed are representative and trustworthy. The Phantom of the Opera. Venue overview. Work on the $66 million redevelopment commenced in June 2018 to transform the iconic South Australian theatre into a world-class, larger and more accessible venue with state-of-the art facilities ready to house more blockbuster productions. This is an exciting opportunity for people to make their mark on theatre history - you can buy a seat in your own name, give it as a gift or dedicate it to someone special.”, Adelaide Festival Centre CEO & Artistic Director Douglas Gautier AM: “Her Majesty’s has been the home of entertainment for South Australians for more than 100 years and this is one of the most significant theatre redevelopments in Australia. The Her Majesty's Theatre has a capacity of 1167 seats, including 459 seats in the Stalls, 281 seats in the Royal Circle, 324 seats in the Grand Circle and 103 seats in the Balcony. Australia’s most exciting theatre project is now complete with the new-look Her Majesty’s Theatre unveiled at last and an exciting opportunity for the public to experience the new venue, announced today. While the theatre was scheduled to officially reopen to the public in June with Six The Musical – restrictions relating to COVID-19 and the postponement of Six The Musical mean the theatre will have its grand reopening at a later date, when it is safe and practical to do so. Other outstanding features include custom-built curved timber balcony fronts in the auditorium, stylish foyer bars on all three levels, a larger backstage rehearsal room and a dramatic glass façade to the new west wing. Her Majesty’s has served the city well for more than a century, and it will continue to be a cornerstone of our creative industries for many years to come.”, Adelaide Festival Centre CEO & Artistic Director Douglas Gautier AM: “We cannot wait to welcome audiences into this stunning venue to enjoy this multiple award-winning family show while supporting local arts workers through this challenging time. It is a leading Asia Pacific cultural centre. Adelaide Festival Centre is currently re-developing Her Majesty’s Theatre as part of a $67 million project. Theatre lovers can etch their name into history by purchasing a seat in the redeveloped Her Majesty’s Theatre, Adelaide. A Welcome to Country and smoking ceremony led by Uncle Mickey Kumatpi Marrutya O’Brien, a Senior Kaurna and Narrunga man, marked the official completion of the venue. This redevelopment will increase the seating capacity to 1467 seats and re-introduce some of the Edwardian design elements. As cultural institutions re-open, it is significant that the first audiences in the historic Her Majesty’s will be children and families – an intergenerational community that are our audiences of now and the future.”, Adelaide Festival Centre Trust Chair, Michael Abbott AO QC: “We believe that this once in a generation project will provide a venue that is truly unique in the way it combines heritage architecture with modern facilities to reach new standards of comfort and accessibility for theatregoers. The children who sit on the stage here to enjoy this performance will witness the beginning of a great future and will always be part of the history of The Maj. Adelaide Festival Centre is continuing to work with SA Health to make sure this performance will fit within current safety guidelines and we can safely increase audience numbers as restrictions are eased. It was completely gutted in the 1960s and 70s, destroying its original architectural features and reducing the seating capacity to less than 900 from its original 2200.

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