Bond is broadly considered one among the major living dramatists but he has always been and remains highly controversial because of the violence shown in his plays, the radicalism of his statements about modern theatre and society, and his theories on drama. [57][58] Max Stafford-Clark has written that with the Barbican production of The War Plays, Bond "reduced a talented cast into a stumbling and incoherent shambles of walking wounded. The Fool (1975) reinterprets the life of the rural 19th century poet John Clare. Saved captures well the angst and strife gripping London as the cultural and social revolutions of the 1960s fermented and soured into the cultural decay of the 1970s, and the play’s cast does it justice. [5] Bond then educated himself, driven by an impressive eagerness for knowledge. Bond's other partnership of recent years has been with French director Alain Françon who premiered In the Company of Men[88] in 1992 and produced an acclaimed version of The War Plays at the Festival d'Avignon in 1994,[89][90] re-introducing Bond's work to France where his plays and theory have since become highly influential.
[8] He was especially impressed by the performances of the Berliner Ensemble in the summer of 1956. It is clear that the author intends his play to be deeply meaningful, and to explore issues such as justice, freedom and interpersonal dependency. Both he and Madeline Walker (as Mary, the baby’s mother) show a careful awareness of their character’s presences. Nurtured by his experience as a child evacuee to the seaside, the play is (rightly) subtitled "a comedy" and was intended as optimistic after the gloomy mood of his previous plays. The Guardian's Lyn Gardner wrote, "There is some hard, unflinching writing here, but uncertain performances and an awkward, often unintentionally comic production make this seem perilously close to a parody of an Edward Bond play. The end of the play shows him as a forced labourer in a camp setting an example for future rebellion by sabotaging the wall he once built, which subsequent regimes keep perpetuating. He also felt that some of the scenes were "designed to titillate". [56] In 1985, he attempted to direct his War Plays at the RSC, accepting very bad working conditions, but left the rehearsals before the premiere after disastrous sessions, and then violently criticized the production and the theatre. [9][10], After three years studying with writers his age but already well-known (like John Arden, Arnold Wesker, and Ann Jellicoe), Bond had his first real play, The Pope's Wedding, staged as a Sunday night "performance without décor" at the Royal Court Theatre in 1962. [110] Conversely, Tom Bolton of Londonist argued, "Dea is not just a shock-fest — the play is a deep, poetic, complex investigation of the condition of 21st century society. His first play, The Pope's Wedding, was staged at the Royal Court Theatre in 1962.

"[17] In 1996, however, Janelle G. Reinelt described the reception as "chilly".

He is the author of some fifty plays, among them Saved (1965), the production of which was instrumental in the abolition of theatre censorship in the UK. In the United States, Robert Woodruff and the American Repertory Theatre produced Olly's Prison in 2005; Woodruff also directed Saved (2001) and Chair (2008) at Theatre for a New Audience in New York. ... from the play's ongoing relevance and importance to today's society and how theatre censorship has evolved since the play's premiere in the 1960s to the actors' research and getting to grips with their characters. Edward Bond (born 18 July 1934) is an English playwright, theatre director, poet, theorist and screenwriter.
But Saved set a pattern for the reception of Bond's plays. After staging Lear in German at the Burgtheater, in Vienna in 1973, Bond directed his last four plays in London between 1978 and 1982: The Worlds and Restoration at the Royal Court and The Woman and Summer at the National Theatre. Any discussion of Saved, Edward Bond’s 1965 play about class and social strife in 1960s working-class London, ultimately has to address the 800-tonne gorilla in the room: by the end of the first act, a group of otherwise normal people have stoned a baby to death in its pram. Saved is a play by Edward Bond which premiered at the Royal Court Theatre, London, in November 1965. In the Company of Men shows a desperate fight by the adoptive son of an armaments factory manager to be who he is in a cynical, intrigue-ridden neo-liberal business world that Bond considers the mirror of our post-modern times. Bond is broadly considered one among the major living dramatists[1] but he has always been and remains highly controversial because of the violence shown in his plays, the radicalism of his statements about modern theatre and society, and his theories on drama. ... united in battling censorship and supporting Bond’s plays.


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