If I did something dumb he’d say, “You know…um…did you notice something wrong”? He was 74. He was particularly noted for playing in the unusual time signatures employed by that group in such pieces as "Take Five" and "Blue Rondo à la Turk". When Bill Frisell answers my FaceTime beep, the... Louis Armstrong awoke one morning wanting to make... JazzTimes, in association with Ropeadope Records,... What we went to offer is a positive notion, a... Stanley Crouch, an irascible, polarizing, and uncompromising jazz and opinion journalist, died September 16 at the Calvary Hospital in New York City. "I'm sure there are people who disagree with my playing," he says, "and there are some who think I'm the greatest thing that ever happened. And it was very, very interesting to hear this album that has just come out [Their Last Time Out: The Unreleased Live Concert, December 26, 1967 on Columbia/Legacy]. Morello’s legacy reached a wide spectrum of players. "When your hand is relaxed, your thumb isn't squeezing against your first finger and your wrist isn't at some funny angle. After moving to New York City, Morello worked with an impressive list of jazz musicians including Johnny Smith, Tal Farlow, Phil Woods and Stan Kenton. Three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn's Violin Concerto, and again three years later. The trouble with Stone’s Stick Control is that there’s not one accent in the book, and it never tells you what to play or how to play it, so people get bored.

Joe: Stone taught that everything should involve natural body movements. "I was very honored," Joe Morello says of his induction into the PAS Hall of Fame. Explore releases from Joe Morello at Discogs. I was glad to help. "My training was basically classical snare drum technique," Morello says. This meant that work, and visibility, were plentiful for drummers. He has written several drum books, including Master Studies, published by Modern Drummer Publications, and has done an instructional video for Hot Licks titled The Natural Approach to Technique. He was considered legally blind, and it got much worse later. I’ll never forget this one time, Gene Krupa was playing at the Hartford Theater, and afterwards I came home and said, “Gee, I can do that same thing.” So I went and did a single stroke.

"When people use the word ‘technique,' they usually mean ‘speed,'" Morello says, commenting on the solo. ", Soph, who presented Morello's award on behalf of the PAS, was equally delighted to spend some time with Morello during PASIC '93. His 12-year stint with Brubeck made Morello a household name in the jazz (and drumming) world, and on the quartet's recording of "Take Five" he performed one of the most famous drum solos in jazz history. In the ’50s and ’60s, jazz groups had plenty of work. They said, “You’ve got to come down to the Apple, man.” So I said, “Fine.” I’d been working in hotel bands.

That band stayed together for over a decade, and in jazz there’s hardly any other group that stayed together that long. "It's a matter of natural body movement," he explains. Stone was so impressed with Morello's ideas that he incorporated them into his next book, Accents & Rebounds, which is dedicated to Morello. I met Joe and his wonderful wife, Jean, in his later years. I was trying to get him to go to the doctor and do something about his eyes. Give them a knowledge of the instrument; once they have that, they can use it the way they want to use it.". [sings] You know when you’re a kid, “I can do that.”. She understood thoroughly that Joe should be featured more. When you strike a practice pad, you should be able to hear the ring of the wood stick. Morello says that the secret to technique is relaxation. The Dave Brubeck Quartet was the most popular jazz group of that time. We went through the rudiments and Stick Control, Podemski, and a book by Simon Sternberg. At six years old, he began studying the violin. Joe Morello inspired thousands of drummers during his long career, which spanned from 1957, the year of his first recording session with Dave Brubeck, to 2011, when he passed away. I couldn’t go out and play football, baseball, and such, so I’d practice. The main thing is to be original. But Stone said your playing should be natural, as if you brought your hands up from hanging at your side. He was just beyond most drummers. You have to learn the way your body works. That’s what made him so aware musically of what was going on. Joe could have easily filled every measure with technical fire and flare, but instead he crafted a very musical solo that took advantage of space. They did their thing, pulling out all the stops and really cranking away. Sometimes what you don’t play means as much as—or more than—what you do play. If he hadn't had eyesight problems at an early age, Morello would have pursued a career as a classical violinist. … Read More “Stanley Crouch 1945–2020”, Gary Peacock, a jazz bassist who was hailed as a key innovative force on his instrument, died September 4 at his home in Claryville, New … Read More “Gary Peacock 1935–2020”, Steve Grossman, a tenor and soprano saxophonist who played fusion and bop with equal brawny authority, died August 13 at Glen Cove Hospital on Long … Read More “Steve Grossman 1951–2020”, Terry Coen, a record and music promotion executive who spent nearly 50 years advocating for the music he loved, died July 28 at Suncoast Hospice … Read More “Record Promotion Veteran Terry Coen Dies at 73”, America's jazz resource, delivered to your inbox. His mastery of finger control was legendary, his touch and feel were superb, and his speed was incredible. Can you give me a synopsis of his approach to teaching? Some teachers insist that a student play a certain style. Joseph Albert Morello (July 17, 1928 – March 12, 2011) was an American jazz drummer best known for his work with the Dave Brubeck Quartet. Technique is only good if you can use it musically.". “Take Five,” featuring a drum solo by Joe Morello, was a million-seller. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates.

I just knew right away that this guy was fantastic, even though Marian didn’t feature him in her trio.

I said, “Well, until she gets back maybe you would want to play with my trio?” And Joe said, “You know, Dave, I would go with you, but only if you feature me.” And I said, “Fine, let’s try it out this way and see what happens.” And when Marian returned she understood that it was a good move for Joe to make.

You would only have to own one record. The idea was to have him come in and just let each of his fans spend a few minutes with him. [6], Upon his death, Morello's wife gave control of Joe Morello's memorabilia and collections to Marvin Burock, one of Joe's students who had toured extensively with Morello and who was tasked with transcribing Morello's Modern Drummer articles for ten years, . The average person chokes the stick, and that comes through on the drum. That was basically true at the time, even though I was back on the road again with a new group four months later. During his career, Morello appeared on over 120 albums. But to me, sometimes that’s like going to the circus. Ask any of today’s top jazz drummers about Joe’s “Take Five” solo, and you’ll likely hear it praised as a masterclass in pacing and control, a reminder to all of us to let our solos breathe. I’d rather just be like I am.” And I said, “If that’s the way you feel, Joe … sure, we’ll get outta here.”, We had a lot of good times playing together and there was a shared understanding, an appreciation of what we were both trying to do. It was conspicuous by being so different.". After moving to New York City, Morello worked with numerous notable jazz musicians including Johnny Smith, Tal Farlow, Stan Kenton, Phil Woods, Sal Salvador, Marian McPartland, Jay McShann, Art Pepper, and Howard McGhee. At the end of the track, he can be heard laughing about the "trick" ending. Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike.

To a great extent, people went especially to hear the virtuosic and musical drumming of Joe Morello. Dave Brubeck Quartet with Brubeck, Paul Desmond, Joe Morello and Eugene Wright, “Record Promotion Veteran Terry Coen Dies at 73”, The Day Louis Armstrong Lost His Color: A Short Story, Record Promotion Veteran Terry Coen Dies at 73. One of the most obvious examples of Joe’s masterful and musical approach to the drum solo can be heard in the classic song “Take Five” by the Dave Brubeck Quartet. There was a day in New York at a place called Manny’s Drum Shop on 48th Street, and Joe and Buddy Rich were challenging each other: One guy would play a lick and the other one would play it faster, and so on. It would be awfully boring if everyone played the same. as he'd play their licks back at them twice as fast. All Rights Reserved. It came easy to me. On "Take Five", he plays an imaginative drum solo maintaining the 5/4 time signature throughout. Your recently viewed items and featured recommendations, Select the department you want to search in, Joe Morello: Drum Method 1--The Natural Approach to Technique, FREE Shipping on your first order shipped by Amazon, Rudimental Jazz: A Musical Application of Rudiments to the Drumset, Master Studies II: More Exercises for the Development of Control and Technique, Joe Morello: Drum Method 2 -- Around the Kit, Drum Lessons with George Lawrence Stone: A Personal Account on How to Use Stick Control, Let It Be Guitar! He always played for the music with beautiful, flowing time.". It was beautiful what they did. "It was especially nice being there with Bill Ludwig, who I became associated with in 1954, and it was great seeing guys like Ed Soph and Peter Erskine again." At the age of 15, Morello met the violinist Jascha Heifetz and decided that he would never be able to equal Heifetz's "sound".

"Technique is only a means to an end," Morello stresses. Everybody else had some cockamamie story that the hands should be up in the air, or the elbows should be in, or the elbows should be out.

The more I got into it, and started listening…. Having impaired vision since birth, he devoted himself to indoor activities.

Since then Joe has kept a lower performance profile but has been a very active teacher, sought out by professionals and beginners alike from around the world. It's a feeling that comes from within that you project through the drums. He authored several drum books, including Master Studies, published by Modern Drummer Publications, and also made instructional videos. But he wouldn’t do what all of us and his doctors wanted him to do, which was to have the cataracts removed. This group toured the world playing concerts instead of location club gigs.



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